5 comfortable color grading suites provide a wide range of software and hardware for any type of workflow. CineLab Digital pipeline is created to provide the fastest possible data access for each color grading and editing suite.
The colorists, editors, artists and technical staff refer to a single data storage, which creates an opportunity to work with six 4K streams simultaneously. 4 independent online editing workstations available to deliver the cut in no time straight to color grading suites. All the metadata is archived with the help of a mirroring system, so that all the projects are secured.
High bandwidth and a combination of software (Autodesk, Blackmagic Design) and hardware (HP, Apple Mac) make it possible to render the result of your work into 2К/4К in real-time in multiple formats upon the client’s request. With the help of two Rohde & Schwarz DVS Clipster workstations the final output can be any format needed – 2D or 3D 2K/4K DCP, HD mov, mp4, HDCam SR, Digital Betacam, etc.
At our clients’ service is a high-end screening room equipped with a Barco digital projector and 5.1 audio system – everything necessary for 2D and 3D quality check.
All the material can be archived either on LTO and/or HDD if needed.
3 Linux-based Autodesk Lustre suites each equipped with Barco DP90P, DP1500 projectors and a trademark Autodesk control surface, which provides improved interactivity, when color grading film and video footage. A colorist can perform many of the same tasks in the Autodesk Lustre user interface. The modular design of the control surface also allows to work on different grading stages simultaneously. Each Autodesk Lustre suite is paired with an Autodesk Flame suite that gives an opportunity to perform separately online editing and color grading on 2 different workstations simultaneously and share the result with each other. This system has direct connection to a shared library, which means you can set your CC project up and running within minutes on any workstation in the studio with the Autodesk Lustre or Flame software installed. Each room is provided with 5.1 sound system as well.
3 Linux-based Autodesk Lustre suites each equipped with Barco DP90P, DP1500 projectors and a trademark Autodesk control surface, which provides improved interactivity, when color grading film and video footage. A colorist can perform many of the same tasks in the Autodesk Lustre user interface. The modular design of the control surface also allows to work on different grading stages simultaneously. Each Autodesk Lustre suite is paired with an Autodesk Flame suite that gives an opportunity to perform separately online editing and color grading on 2 different workstations simultaneously and share the result with each other. This system has direct connection to a shared library, which means you can set your CC project up and running within minutes on any workstation in the studio with the Autodesk Lustre or Flame software installed. Each room is provided with 5.1 sound system as well.
Industry standard Blackmagic Design Da Vinci Resolve suite is built up to face any post-production challenges. Numerous 2D and 3D projects were conformed and color graded on that station with the help of Barco Digital Projector and the Linux-based combination of Da Vinci Resolve software + control surface. The room is equipped with a 5.1 sound system as well – for a full-fledged screening.
Industry standard Blackmagic Design Da Vinci Resolve suite is built up to face any post-production challenges. Numerous 2D and 3D projects were conformed and color graded on that station with the help of Barco Digital Projector and the Linux-based combination of Da Vinci Resolve software + control surface. The room is equipped with a 5.1 sound system as well – for a full-fledged screening.
The Digital Vision Nucoda suite is designed specifically for commercials. The 18Tb separate Dell storage, based on Microsoft Windows, creates an opportunity to keep all of your project sources in one place and quickly edit and update the cut. The Dolby Professional Reference Monitor PRM-4200 gives the most accurate control to the colorist.
The Digital Vision Nucoda suite is designed specifically for commercials. The 18Tb separate Dell storage, based on Microsoft Windows, creates an opportunity to keep all of your project sources in one place and quickly edit and update the cut. The Dolby Professional Reference Monitor PRM-4200 gives the most accurate control to the colorist.
The mastering department offers a wide range of output formats depending on the client’s requests – 2D or 3D 2K/4K DCP, HD mov, mp4, HDCam SR, Digital Betacam, etc. We are as well proud to be the first Apple iTunes and Google Play officially authorized and the only Walt Disney authorized encoding-house in Russia. More than 1000 iTunes packages and counting speaks for itself. Our instrument cluster includes Clipster, DaVinci Resolve, Final Cut, Avid Media Composer and many other solutions. The mastering department is available all week Monday to Sunday.
The mastering department offers a wide range of output formats depending on the client’s requests – 2D or 3D 2K/4K DCP, HD mov, mp4, HDCam SR, Digital Betacam, etc. We are as well proud to be the first Apple iTunes and Google Play officially authorized and the only Walt Disney authorized encoding-house in Russia. More than 1000 iTunes packages and counting speaks for itself. Our instrument cluster includes Clipster, DaVinci Resolve, Final Cut, Avid Media Composer and many other solutions. The mastering department is available all week Monday to Sunday.
The quality check of your 2D or 3D Digital Cinema Package is performed in the comfortable screening room equipped with the Dolby and Doremi video servers and Barco DP-2K-12C. The screen and the projector are regularly checked in order to create the best quality control environment for Digital Cinema.
The quality check of your 2D or 3D Digital Cinema Package is performed in the comfortable screening room equipped with the Dolby and Doremi video servers and Barco DP-2K-12C. The screen and the projector are regularly checked in order to create the best quality control environment for Digital Cinema.
At our client’s service are the FTP and Aspera servers, Arkena and Signiant in order to download and deliver the content at 2 Gbit/s speed.
At our client’s service are the FTP and Aspera servers, Arkena and Signiant in order to download and deliver the content at 2 Gbit/s speed.
We respect the film stock. Upon demand we perform Telecine (Spirit HD / Pandora Evolution), scanning to a number of formats (Arriscan), negative printing (ArriLaser and Cinevator) and full-range of film processing thanks to our laboratory. For the past decade tens of millions of feet were developed in the laboratory which makes us world-level experts in film processing.
We respect the film stock. Upon demand we perform Telecine (Spirit HD / Pandora Evolution), scanning to a number of formats (Arriscan), negative printing (ArriLaser and Cinevator) and full-range of film processing thanks to our laboratory. For the past decade tens of millions of feet were developed in the laboratory which makes us world-level experts in film processing.
We are open to any type of cooperation and new clients worldwide.
We are always at your disposal via the contacts below.
